Come join instructors from The French Department for a lunch conversation (en français).  

Les Tables Françaises are a great way to practice your conversational French in an informal setting.

French-speakers at all levels from the Yale Community are welcome to join.

Tables begin the week of January 22^nd.

Come join instructors from The French Department for a lunch conversation (en français).

Les Tables Françaises are a great place to practice your conversational French in an informal setting.

French-speakers at all levels from the Yale Community are welcome to join.

Tables begin the week of Sept 11th and will be held until the last day of classes. 

*PLEASE NOTE:  each student must use their own meal swipes at the Yale Dining Halls.

The French Department will not be providing the swipes for you.

Over a literary career that spans almost 40 years, French novelist, playwright and scenarist Marie NDiaye has carved herself a unique position amid the landscape of French literature. Her work has received France’s highest literary distinctions, her novel, Rosie Carpe won the Prix Femina in 2001, Trois Femmes Puissantes (Three Powerful Women, Knopf) was awarded le Prix Goncourt in 2009, and her play, Papa doit Manger (2003) has been included in the repertoire of the Comédie Française, France’s most prestigious theater company. As a scenarist, she has worked on two internationally acclaimed and multi-awards winning films: White Material (Claire Denis, 2009) and Saint Omer, (Alice Diop, 2022).

All these distinctions seem to have bear no influence whatsoever in her work. Novels after novels, NDiaye’s admirably sinuous sentences track down the unfathomable darkness at the heart of her characters. Her meticulously crafted prose stick as close as possible to her protagonists’ strength, violence, cruelty, or even monstrosity, without revealing anything of their mystery. Dedicated to the aesthetics, musicality and psychology of her characters, she states: “I look for the music in a sentence; the subtextual harmony emanating from a book of imagination that makes us feel that it could not have been written any other way.” She defines herself as a novelist of “ambiguity” and literary critic Hugo Pradelle describes her as a “novelist of unique discomfort.”

The heroine of Vengeance is Mine is Maître Susane, a quiet middle-aged lawyer living a modest existence in Bordeaux, known to all as a consummate and unflappable professional. But when Gilles Principaux shows up at her office asking her to defend his wife, who is accused of a horrific crime, Maître Susane begins to crack. She seems to remember having been alone with him in her youth for a significant event, one her mind obsesses over but can’t quite reconstruct. Who is this Gilles Principaux? And why would he come to her, a run-of-the-mill lawyer, for such an important trial? Vengeance Is Mine is a dreamlike portrait of a woman afflicted by failing memories and a tortured uncertainty about her own past that threatens to become her undoing.

MARIE NDIAYE is a writer, a novelist, a playwright, and a screenwriter. After studying linguistics at La Sorbonne, she was awarded a scholarship from the French Academy to study at Villa Medici in Rome. She is the author of 14 novels, which won a variety of awards, including the Femina Prize in 2001 for Rosie Carpe and the Goncourt Prize in 2009 for Three Strong Women. In 2004, she published All My Friends, a collection of short stories, and three young adult fiction novels, La Diablesse et son enfant, Le Paradis de Prunelle and Le Souhait. For the stage, in addition to Papa doit manger, she also wrote Hilda, Les Serpents, Les Grandes Personnes, Te Craindre en ton absence, Trois Pièces (Honneur à notre élue, Délivrance, Berlin mon garçon), Rien d’humain, Royan, La Professeur de français. 

The text above is taken from Villa Albertine, a co-sponsor of the event.

Title: “The Pleasures and Pitfalls of Academic Life: What to do with the Good Enough?”